Roland SH-4D Synthesizer
The Roland SH-4D desktop synthesizer packs a 5-part multitimbral engine, 60-voice polyphony, and 11 OSC models into a portable battery-powered unit. It blends vintage analog-style sound with modern digital textures, including wavetable, cross FM, and the SH-101 and Juno-106 legacy voices. A built-in motion sensor, Visual Arpeggio, and 64-step sequencer make it equally suited for studio sound design and live performance.
- 5-part architecture with 4 synth parts plus a dedicated rhythm part running up to 26 instruments per kit
- 60-voice polyphony with per-part voice reservation for reliable multitimbral playback
- Multimode digital ladder filter with HPF, pre-filter Drive, and interactive Resonance
- Runs on USB-C bus power or 4 AA batteries for up to 4 hours of cable-free creation
Roland SH-4D Desktop Synthesizer — Five Parts, One Portable Groovebox
\nThis desktop synthesizer and groovebox condenses a full multitimbral workstation into a unit small enough to run on AA batteries. Eleven OSC models span vintage analog-style tones, the SH-101 and Juno-106 legacy voices, cross FM, wavetable, ring modulation, sync, chord, drawing, and PCM sounds. With 60 voices of polyphony and a 64-step sequencer per part, this model lets a single hardware unit sketch, sequence, and perform a complete track.
What Sets the Instrument Apart
\nD-Motion is a built-in motion sensor that lets players tilt the unit to modulate two assignable parameters on the X/Y axis. Visual Arpeggio represents a physics-based mini-sequencer with five modes including bounce, bubble, sketch, pong, and orbit that generates note patterns through interactive on-screen animations. A dedicated Modulation Matrix routes LFOs, envelopes, and external MIDI sources to nearly any parameter, while the multimode digital ladder filter shapes every voice.
Synthesis Architecture — Polyphony and OSC Models
\nPolyphony and oscillator variety define how complex a track can become inside one box, with enough headroom for layered chords, stacked basslines, and full rhythm parts running simultaneously.
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- The device offers 60 voices of maximum polyphony distributed across parts with per-part voice reservation. \n
- OSC Models: 11 engines — SH-4D, SH-3D, Sync, SH-101, Juno-106, Cross FM, Ring, Wavetable, Chord, Drawing, PCM \n
- Multitimbral Parts: 5 (4 synth + 1 rhythm) — independent sound design per part \n
Sequencer, Arpeggiator, and Performance Controls
\nPattern sequencing and motion recording turn sound design into full arrangements without leaving the hardware.
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- Sequencer Steps: 64 per part — with probability, flams, substeps, and motion recording across four lanes \n
- Arpeggiator: 5 types — plus the physics-based Visual Arpeggio for motion-driven patterns \n
- Pitch Bend: Yes — dedicated pitch bend buttons plus D-Motion tilt sensor for X/Y modulation \n
Effects Engine and Connectivity
\nA serious effects section and flexible I/O make this unit slot into studio racks, stage rigs, and mobile setups without compromise.
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- Effects: Master Effect, Master EQ, Master Compressor, Reverb, Chorus, Delay — plus 93 MFX types across 5 systems \n
- Modulation: Modulation Matrix — routes LFOs, envelopes, and MIDI CCs to nearly any parameter \n
- Connectivity: USB-C, 5-pin MIDI I/O, 3.5 mm mix in, 1/4" stereo out, headphone out, clock input — plus 12 discrete USB audio channels to a DAW \n
Who the SH-4D Is Built For
\nIt is the right choice for electronic producers, groovebox enthusiasts, and live performers who want deep sound design without menu-diving. Synthesists coming from Roland's ZenCore family will appreciate the simplified, hands-on engine layout, while hardware-first beatmakers gain a five-part workstation that runs on AA batteries for sketching on the road. DJs and live acts benefit from D-Motion tilt control and Visual Arpeggio, adding physical performance gestures. Studio producers can route the unit into a DAW over USB-C with 12 discrete audio channels.
Roland and the SH Heritage
\nRoland's SH series stretches back to the SH-101, a monophonic analog synth from 1982 that became a defining voice in early house, techno, and acid. The Juno-106, released in 1984, brought polyphony and the famous chorus effect to a generation of pop and electronic producers.
",description_sk:
Typ
Desktop Synthesizer
LFO
Kuvert
Ja
Oscillatorer
Modulering
Fader
Ja (4)
Arpeggiator
Typer av effekter
Reverb (9 x), Kör (5 x), Fördröjning (5 x), Master Effect (93 x), Master EQ, Master Compressor
MIDI-gränssnitt
Bluetooth
Inbyggd högtalare
Arranger
Ljudmotor
Antal nycklar
Nyckelns storlek
Mini
Polyfoni
Pitchbend
Ja
Lagringsmedium
Display
Typ av display
Färg
Utgång för hörlurar
Utgångar
Pedalingångar
Analoga utgångar
Mikrofoningång
USB
USB MIDI
USB till enhet
USB till värd
Filter
Ja
Sekvenserare
Ja
Förpackningens innehåll
Bredd (cm)
36
Höjd (cm)
6,6
Djup (cm)
19,5
Nettovikt (kg)
1,78
Tillverkad i
Malaysia
Dokument
Bruksanvisningar
Säkerhetsanvisningar
Se användarhandboken för specifika säkerhetsinstruktioner för den här produkten.
Förlängd garanti +3 år
Retur upp till 30 dagar
Prisgaranti
Mer än 3 miljoner kunder
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