KHDK Electronics LCFR The Second Coming Gitarreffekt

Behold: The Second Coming of Nergal’s infamous LCFR. This cursed box from Hell is an overdrive/booster for your aggressive, demonic high-gain sound. The Second Coming builds on the first edition, with an added mid control SULFUR for yet more aggressive force that wails with evil…thus rendering it even more versatile for a range of playing styles.  Fine-tuned with your and Nergal's input based on the first edition, The Second Coming is a state-of-the-art piece of audio engineering that even its namesake, The Lord of Darkness, would be proud to plug in. Every pedal is assembled, hand-printed and guitar-tested in Prague.
 
“I wanted KHDK to create LCFR The Second Coming as a more brutal version of the first and KHDK made it more Diabolic than ever.” ~ Nergal
 
Controls:

• SUMMA: Controls the amount of output volume. Tip: The output gets insanely loud on the maximum setting, especially when your Gain control is also set high. You’ve been warned...
• IGNIS:  Adjusts the amount of your input signal. Turning this knob up increases the breakup. On high settings, it brings a smooth clipping/compression to your signal.

 
TIP: With both the Gain and Volume dimmed, the LCFR may be too loud.  Sometimes squealing or feedback may occur when other controls are dimmed too. Find a good balance of these two controls. For a cleaner signal, turn your Gain low and dim the Volume. This setting works best for boosting a tube amp with its own overdrive - and the LCFR works as a powerful toneshaper. If you want the LCFR to produce its own clipping and overdrive, turn the Gain high and adjust your output with the Volume knob.
 
 

• NOX: This active control adjusts your low frequencies. It’s neutral at noon, boosts the lows when turned clockwise and cuts the bass when turned counterclockwise. Tip: Bass is hugely useful for shaping your signal with a low-tuned guitar. Cutting of the lows before distorting your signal gives you a faster attack and a tight bass response. 
• LUX: This active control adjusts the high frequencies. It’s neutral at noon, boosts your highs when turned clockwise, and cuts the highs when turned counterclockwise.  Tip: Use the Highs to shape your tone in the pre-distortion stage. Cutting your highs before distortion brings a smoother, mellow tone, perfect for soloing. For aggressive rhythm playing, boost the highs to cut through in the mix and add a precision to your playing.
• SULFUR: Boosts or cuts the mid frequencies, but within this control there are two frequencies which adds a very unique additional aggressiveness to your tone.
• BYPASS STOMP SWITCH: Activates the whole circuit. When the LCFR is ON, the two amber lights are aglow. When the LCFR is off, it is true-bypassed with no effect on your tone.

 
LCFR Power
Connect a 9-18V center negative power supply. The pedal can be powered by an external DC power supply. Use a stabilized DC with 2.1mm barrel connector and negative center. Use 9 to 18 Volts power source. Tip: 18 volts will give you a louder output and a cleaner sound. LCFR can also be powered with a battery. Exchange it by unscrewing the bottom lid. Use a fresh alkaline battery. To preserve battery life, always unplug the input jack when the LCFR is not in use. 

The certificate is printed on paper from 1666.