Audio-Technica AT2035 Kondensatormikrofoner för studio

Audio-Technica AT2035 Studio Condenser Microphone for Detailed Vocal and Instrument Capture

The Audio-Technica AT2035 is a side-address cardioid studio condenser microphone built for home, project, and professional studio use and live performance. A fixed-charge back-plate, permanently polarized condenser element delivers exceptional detail and low noise across the audible spectrum. The large-diaphragm capsule produces smooth, natural sound on vocals and acoustic guitar, while the cardioid polar pattern reduces pickup from the sides and rear.

What Sets the AT2035 Apart in the 20 Series

Unlike the entry-level AT2020, this model adds a switchable 80 Hz high-pass filter and a 10 dB pad for on-the-fly control over rumble and headroom. The included AT8458 custom shock mount cradles the side-address capsule and decouples it from desk and floor vibrations.

Large-Diaphragm Cardioid Capsule for Focused Capture

The cardioid polar pattern rejects room noise and off-axis bleed while keeping the performer's voice or instrument front and center. A 24.3 mm large-diaphragm capsule moves more air than small-diaphragm designs, yielding the warm low end and smooth highs that define vocal-forward condensers.

• Polar Pattern: Cardioid — focused front pickup with strong side and rear rejection
• Diaphragm Size: 24.3 mm — large-diaphragm capsule for natural vocal warmth
• Element Type — fixed-charge back plate, permanently polarized condenser for stable, consistent response across units

Full-Range Frequency Response With Quiet Self-Noise

A 20 Hz to 20 kHz frequency response covers the entire audible range, so engineers capture deep bass fundamentals and airy high-end detail. The 80 Hz high-pass filter switch removes low-frequency rumble from HVAC systems and traffic.

• Frequency Range: 20 Hz - 20 kHz — full-spectrum capture for voice and instruments
• Open Circuit Sensitivity: -33 dB (22.4 mV) re 1V at 1 Pa — strong output for typical preamp gain stages
• Self-Noise at just 12 dB SPL (A-weighted), keeping the noise floor low enough for intimate vocal and acoustic recordings

High SPL Headroom and Universal Phantom-Power Compatibility

This microphone reaches 148 dB SPL and pushes to 158 dB SPL with the 10 dB pad engaged, surviving close-mic'd guitar cabinets, brass, and kick drums without distortion. A 136 dB dynamic range gives engineers plenty of headroom between the noise floor and the loudest peaks.

• Maximum SPL: 148 dB (158 dB with 10 dB pad) — captures loud sources cleanly
• Dynamic Range: 136 dB — wide working range from whisper to shout
• Phantom Power Requirements: 11-52 V DC, 3.8 mA typical — runs on any XLR-equipped interface
• Output Impedance at 120 ohms through a balanced XLRM-type connector for noise-free cable runs

Ideal for Home Studios, Podcasters, and Live Performers

The AT2035 is the right choice for home studio engineers, vocalists, podcasters, and live performers who need a flexible mic that handles quiet and loud sources with composure. Project-studio owners get a clear step up from the AT2020 with the added pad and high-pass filter, while podcasters benefit from the included shock mount. Acoustic guitarists, rappers, R&B singers, and operatic vocalists all find a workable tool here.

Audio-Technica 20 Series: Studio Performance at Project-Studio Prices

Audio-Technica's 20 Series is a benchmark for accessible studio condensers, with the AT2020 establishing the entry point and this model adding the pad, filter, and shock mount that project studios need. Sitting between the AT2020 and the higher-end AT2050, this mic gives creators a clear upgrade path.